Save_Name |
Scale Name |
Formula |
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Pitch
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Triad |
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Seventh |
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Ninth |
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Eleventh |
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Thirteenth |
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Mode
II 7th |
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Mode
III 7th |
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Mode
IV 7th |
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Mode
V 7th |
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Mode
VI 7th |
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Mode
VII 7th |
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Raw
Spelling Root C |
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Enharmonic Spelling C |
7_5_15_7_Lolian |
Lolian |
R,b2,bb3,bb4,3b5,b6,bb7 |
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{0,1,2,3,4,8,9} |
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7 |
Raghupriya |
sus2addb11(no 5) |
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sus2sus6addb11 |
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sus2sus6addb9addb11 |
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msus6add9addb9addb11 |
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m#5add9addb9addb11add13 |
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IIMaj7sus2 |
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IIIMaj7#5sus4 |
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IVMaj7sus4sus6 |
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Vb5addb13 |
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VIMaj7b5 |
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VIIMaj7sus2 |
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C,Db,Ebb,Fbb,Gbbb,Ab,Bbb |
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C,Db,D,Eb,E,Ab,A |
CONCAT(A2,"_G") |
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Native Chords |
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Seventh Chords of Related Modes |
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Open Form |
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Alternate open form |
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Second position extension |
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Lolian Scale Forms |
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Play the Lolian scale on any of these chords and
their variations. |
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b4 |
bb7 |
bb3 |
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b4 |
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b4 |
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b4 |
bb7 |
bb3 |
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b4 |
R,b2,bb3,bb4,3b5,b6,bb7 |
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Roman numeral analysis above assumes Lolian is the
primary mode. |
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b6 |
R |
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Enharmonic Spelling C |
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b6 |
R |
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This scale has unusual accidentals, so it can not
be analyzed using the software developed for other scales. |
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The Roman numerals from Raghupriya, the typical
primary mode, are more likely. |
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b5 |
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b4 |
bb7 |
b2 |
b5 |
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b5 |
C,Db,D,Eb,E,Ab,A |
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b5 |
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b4 |
bb7 |
b2 |
b5 |
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You can figure the patterns by using the scales in
the same mode that can be analyzed (white rows). |
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R |
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bb3 |
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R |
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bb3 |
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R |
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bb3 |
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