Save_Name |
Scale Name |
Formula |
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Pitch
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of Mode |
Triad |
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Seventh |
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Ninth |
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Eleventh |
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Thirteenth |
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Mode
II 7th |
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Mode
III 7th |
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Mode
IV 7th |
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Mode
V 7th |
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Mode
VI 7th |
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Mode
VII 7th |
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Raw
Spelling Root C |
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Enharmonic Spelling C |
7_5_14_4_Zogian |
Zogian |
R,x2,#3,#4,5,6,7 |
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{0,4,5,6,7,9,11} |
4 |
Rageshri |
sus4 |
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Maj7sus4 |
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Maj7add11 |
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Maj7add11add#11 |
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Maj7add11add#11add13 |
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II#5sus2add11 |
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IIIMaj7b5sus2 |
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ivmMaj7b5 |
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VMaj7sus6 |
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vim7#5 |
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VII7sus4 |
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C,Dx,E#,F#,G,A,B |
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C,E,E#,F#,G,A,B |
CONCAT(A2,"_G") |
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Native Chords |
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Seventh Chords of Related Modes |
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Open Form |
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Alternate open form |
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Second position extension |
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Zogian Scale Forms |
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Play the Zogian scale on any of these chords and
their variations. |
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6 |
2 |
5 |
7 |
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6 |
2 |
5 |
7 |
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R,x2,#3,#4,5,6,7 |
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Roman numeral analysis above assumes Zogian is the
primary mode. |
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#3 |
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R |
#3 |
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#3 |
Enharmonic Spelling C |
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#3 |
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R |
#3 |
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This scale has unusual accidentals, so it can not
be analyzed using the software developed for other scales. |
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The Roman numerals from Rageshri, the typical
primary mode, are more likely. |
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#4 |
7 |
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6 |
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#4 |
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#4 |
C,E,E#,F#,G,A,B |
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#4 |
7 |
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6 |
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#4 |
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You can figure the patterns by using the scales in
the same mode that can be analyzed (white rows). |
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5 |
R |
#3 |
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2 |
5 |
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5 |
R |
#3 |
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2 |
5 |
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5 |
R |
#3 |
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2 |
5 |
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