Save_Name |
Scale Name |
Formula |
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Pitch
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of Mode |
Triad |
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Seventh |
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Ninth |
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Eleventh |
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Thirteenth |
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Mode
II 7th |
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Mode
III 7th |
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Mode
IV 7th |
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Mode
V 7th |
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Mode
VI 7th |
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Mode
VII 7th |
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Raw
Spelling Root C |
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7_5_13_7_Doptian |
Doptian |
R,b2,bb3,bb4,5,b6,b7 |
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{0,1,2,3,7,8,10} |
7 |
Pavani |
sus2 |
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7sus2 |
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7b9sus2 |
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m9addb9 |
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m9addb9addb13 |
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IIMaj7sus2 |
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iiim7#5 |
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IVMaj7sus4sus6 |
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vmb5addb13 |
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VIMaj7b5 |
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viim7add11(no 5) |
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C,Db,Ebb,Fbb,G,Ab,Bb |
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CONCAT(A2,"_G") |
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Native Chords |
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Seventh Chords of Related Modes |
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Open Form |
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Alternate open form |
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Doptian Scale Forms |
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Play the Doptian scale on any of these chords and
their variations. |
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b4 |
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bb3 |
5 |
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b4 |
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b4 |
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R,b2,bb3,bb4,5,b6,b7 |
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Roman numeral analysis above assumes Doptian is the
primary mode. |
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b7 |
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b6 |
R |
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Enharmonic Spelling C |
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This scale has unusual accidentals, so it can not
be analyzed using the software developed for other scales. |
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The Roman numerals from Pavani, the typical primary
mode, are more likely. |
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b4 |
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b2 |
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C,Db,D,Eb,G,Ab,Bb |
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You can figure the patterns by using the scales in
the same mode that can be analyzed (white rows). |
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5 |
R |
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b7 |
bb3 |
5 |
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5 |
R |
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b7 |
bb3 |
5 |
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