Save_Name |
Scale Name |
Formula |
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Pitch
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of Mode |
Triad |
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Seventh |
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Ninth |
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Eleventh |
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Thirteenth |
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Mode
II 7th |
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Mode
III 7th |
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Mode
IV 7th |
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Mode
V 7th |
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Mode
VI 7th |
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Mode
VII 7th |
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Raw
Spelling Root C |
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Enharmonic Spelling C |
7_5_13_4_Aeolyrian |
Aeolyrian |
R,b2,b3,4,b5,bb6,3b7 |
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{0,1,3,5,6,7,8} |
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4 |
Pavani |
Dim |
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mb5addb13 |
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mb5addb9addb13 |
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mb5addb9add11addb13 |
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msus2addb9add11add#11addb13 |
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IIMaj7b5 |
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iiim7add11(no 5) |
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IV7sus2 |
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VMaj7sus2 |
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VIMaj7#5sus4 |
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VIIMaj7sus4sus6 |
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C,Db,Eb,F,Gb,Abb,Bbbb |
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C,Db,Eb,F,Gb,G,Ab |
CONCAT(A2,"_G") |
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Native Chords |
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Seventh Chords of Related Modes |
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Open Form |
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Alternate open form |
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Second position extension |
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Aeolyrian Scale Forms |
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Play the Aeolyrian scale on any of these chords and
their variations. |
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bb6 |
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bb6 |
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R,b2,b3,4,b5,bb6,3b7 |
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Roman numeral analysis above assumes Aeolyrian is
the primary mode. |
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4 |
b7 |
b3 |
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R |
4 |
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4 |
Enharmonic Spelling C |
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4 |
b7 |
b3 |
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R |
4 |
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This scale has unusual accidentals, so it can not
be analyzed using the software developed for other scales. |
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The Roman numerals from Pavani, the typical primary
mode, are more likely. |
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b5 |
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b2 |
b5 |
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b5 |
C,Db,Eb,F,Gb,G,Ab |
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b5 |
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b2 |
b5 |
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You can figure the patterns by using the scales in
the same mode that can be analyzed (white rows). |
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bb6 |
R |
4 |
b7 |
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bb6 |
bb6 |
R |
4 |
b7 |
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bb6 |
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bb6 |
R |
4 |
b7 |
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bb6 |
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