Save_Name |
Scale Name |
Formula |
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Pitch
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of Mode |
Triad |
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Seventh |
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Ninth |
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Eleventh |
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Thirteenth |
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Mode
II 7th |
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Mode
III 7th |
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Mode
IV 7th |
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Mode
V 7th |
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Mode
VI 7th |
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Mode
VII 7th |
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Raw
Spelling Root C |
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7_5_10_4_Aerygian |
Aerygian |
R,b2,bb3,bb4,b5,b6,b7 |
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{0,1,2,3,6,8,10} |
4 |
Kantamani |
b5sus2 |
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7b5sus2 |
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7b9b5sus2 |
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m9#5addb9 |
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m9b13#5addb9b13 |
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IIMaj7sus2 |
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IIIMaj7#5 |
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IVMaj7sus4sus6 |
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V6 |
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VI7b5 |
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viim7add11(no 5) |
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C,Db,Ebb,Fbb,Gb,Ab,Bb |
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CONCAT(A2,"_G") |
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Native Chords |
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Seventh Chords of Related Modes |
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Open Form |
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Alternate open form |
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Aerygian Scale Forms |
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Play the Aerygian scale on any of these chords and
their variations. |
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b4 |
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bb3 |
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b4 |
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b4 |
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R,b2,bb3,bb4,b5,b6,b7 |
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Roman numeral analysis above assumes Aerygian is
the primary mode. |
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b7 |
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b6 |
R |
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Enharmonic Spelling C |
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This scale has unusual accidentals, so it can not
be analyzed using the software developed for other scales. |
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The Roman numerals from Kantamani, the typical
primary mode, are more likely. |
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b5 |
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b4 |
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b2 |
b5 |
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b5 |
C,Db,D,Eb,Gb,Ab,Bb |
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You can figure the patterns by using the scales in
the same mode that can be analyzed (white rows). |
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R |
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b7 |
bb3 |
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R |
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b7 |
bb3 |
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