Save_Name |
Scale Name |
Formula |
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Pitch
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of Mode |
Triad |
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Seventh |
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Ninth |
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Eleventh |
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Thirteenth |
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Mode
II 7th |
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Mode
III 7th |
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Mode
IV 7th |
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Mode
V 7th |
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Mode
VI 7th |
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Mode
VII 7th |
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Raw
Spelling Root C |
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7_5_10_3_Madian |
Madian |
R,2,b3,b4,bb5,b6,b7 |
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{0,2,3,4,5,8,10} |
3 |
Kantamani |
madd11(no 5) |
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m7add11(no 5) |
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m11(no 5) |
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m11addb11(no 5) |
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m11#5addb11 |
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II7b5sus2 |
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IIIMaj7sus2 |
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IVMaj7#5 |
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VMaj7sus4sus6 |
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VI6 |
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VII7b5 |
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C,D,Eb,Fb,Gbb,Ab,Bb |
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CONCAT(A2,"_G") |
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Native Chords |
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Seventh Chords of Related Modes |
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Open Form |
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Alternate open form |
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Madian Scale Forms |
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Play the Madian scale on any of these chords and
their variations. |
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b4 |
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2 |
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b4 |
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b4 |
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R,2,b3,b4,bb5,b6,b7 |
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Roman numeral analysis above assumes Madian is the
primary mode. |
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bb5 |
b7 |
b3 |
b6 |
R |
bb5 |
bb5 |
Enharmonic Spelling C |
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This scale has unusual accidentals, so it can not
be analyzed using the software developed for other scales. |
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The Roman numerals from Kantamani, the typical
primary mode, are more likely. |
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b4 |
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C,D,Eb,Fb,F,Ab,Bb |
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You can figure the patterns by using the scales in
the same mode that can be analyzed (white rows). |
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R |
bb5 |
b7 |
2 |
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R |
bb5 |
b7 |
2 |
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