Save_Name |
Scale Name |
Formula |
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Pitch
Class |
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of Mode |
Triad |
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Seventh |
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Ninth |
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Eleventh |
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Thirteenth |
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Mode
II 7th |
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Mode
III 7th |
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Mode
IV 7th |
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Mode
V 7th |
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Mode
VI 7th |
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Mode
VII 7th |
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Raw
Spelling Root C |
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7_2_5_6_Phrolian |
Phrolian |
R,#2,#3,x4,#5,#6,7 |
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{0,3,5,7,8,10,11} |
6 |
Modified Blues |
#5sus4 |
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Maj7#5sus4 |
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Maj7#9#5sus4 |
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Maj7#9sus4addb13 |
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Maj7#9sus4addb13add#13 |
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II6 |
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iiim7b5 |
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ivm7add11(no 5) |
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vmMaj7 |
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VI7sus2 |
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VIIMaj7#5 |
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C,D#,E#,Fx,G#,A#,B |
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CONCAT(A2,"_G") |
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Native Chords |
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Seventh Chords of Related Modes |
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Open Form |
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Alternate open form |
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Phrolian Scale Forms |
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Play the Phrolian scale on any of these chords and
their variations. |
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7 |
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R,#2,#3,x4,#5,#6,7 |
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Roman numeral analysis above assumes Phrolian is
the primary mode. |
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#3 |
#6 |
#2 |
#5 |
R |
#3 |
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#3 |
Enharmonic Spelling C |
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This scale has unusual accidentals, so it can not
be analyzed using the software developed for other scales. |
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The Roman numerals from Modified Blues, the typical
primary mode, are more likely. |
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7 |
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C,D#,E#,G,G#,A#,B |
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You can figure the patterns by using the scales in
the same mode that can be analyzed (white rows). |
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R |
#3 |
#6 |
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R |
#3 |
#6 |
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