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2-note
"Chords" (Intervals) |
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The
two-note patterns (Intervals) are not a chords using the traditional
definition. They are included here to help set up later patterns and for
completeness. |
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The more common forms of
the intervals are here. Full chart: |
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Enharmonic
Intervals Chart |
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The Inversion column is
more accurately desrcribed as the complement interval. The two intervals add
up to an octave. Tritone has only one "mode" because the complement
is itself. |
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!Save_Name |
Interval |
Fingering Link |
Formula |
Pitch Class |
# |
Inversion Group |
Enharmonic C |
Enharmonic G |
Enharmonic D |
Enharmonic A |
Enharmonic E |
Enharmonic B |
Enharmonic F# |
Enharmonic C# |
Enharmonic F |
Enharmonic Bb |
Enharmonic Eb |
Enharmonic Ab |
Enharmonic Db |
Enharmonic Gb |
Enharmonic Cb |
2_1_1_1_P5 |
P5 |
(none yet) |
R,5 |
{0,7} |
1 |
P5 |
C,G |
G,D |
D,A |
A,E |
E,B |
B,F# |
F#,C# |
C#,G# |
F,C |
Bb,F |
Eb,Bb |
Ab,Eb |
Db,Ab |
Gb,Db |
Cb,Gb |
2_1_1_2_P4 |
P4 |
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R,4 |
{0,5} |
2 |
P5 |
C,F |
G,C |
D,G |
A,D |
E,A |
B,E |
F#,B |
C#,F# |
F,Bb |
Bb,Eb |
Eb,Ab |
Ab,Db |
Db,Gb |
Gb,Cb |
Cb,Fb |
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2_1_2_1_M3 |
M3 |
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R,3 |
{0,4} |
1 |
M3 |
C,E |
G,B |
D,F# |
A,C# |
E,G# |
B,D# |
F#,A# |
C#,F# |
F,A |
Bb,D |
Eb,G |
Ab,C |
Db,F |
Gb,Bb |
Cb,Eb |
2_1_2_2_A5_m6 |
A5,m6 |
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R,#5 or R,b6 |
{0,8} |
2 |
M3 |
C,G# |
G,D# |
D,A# |
A,E# |
E,B# |
B,Fx |
F#,Cx |
C#,Gx |
F,C# |
Bb,F# |
Eb,B |
Ab,E |
Db,A |
Gb,D |
Cb,G |
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2_1_3_1_m3 |
m3 |
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R,b3 |
{0,3} |
1 |
m3 |
C,Eb |
G,Bb |
D,F |
A,C |
E,G |
B,D |
F#,A |
C#,F |
F,Ab |
Bb,Db |
Eb,Gb |
Ab,Cb |
Db,Fb |
Gb,Bbb |
Cb,Ebb |
2_1_3_2_M6 |
M6 |
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R,6 |
{0,9} |
2 |
m3 |
C,A |
G,E |
D,B |
A,F# |
E,C# |
B,G# |
F#,D# |
C#,A# |
F,D |
Bb,G |
Eb,C |
Ab,F |
Db,Bb |
Gb,Eb |
Cb,Ab |
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2_1_4_1_m7 |
m7 |
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R,b7 |
{0,10} |
1 |
m7 |
C,Bb |
G,F |
D,C |
A,G |
E,D |
B,A |
F#,E |
C#,B |
F,Eb |
Bb,Ab |
Eb,Db |
Ab,Gb |
Db,Cb |
Gb,Fbb |
Cb,Bbb |
2_1_4_2_M2 |
M2 |
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R,2 |
{0,2} |
2 |
m7 |
C,D |
G,A |
D,E |
A,B |
E,F# |
B,C# |
F#,G# |
C#,D# |
F,G |
Bb,C |
Eb,F |
Ab,Bb |
Db,Eb |
Gb,Ab |
Cb,Db |
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2_1_5_1_M7 |
M7 |
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R,7 |
{0,11} |
1 |
M7 |
C,B |
G,F# |
D,C# |
A,G# |
E,D# |
B,A# |
F#,E# |
C#,B# |
F,E |
Bb,A |
Eb,D |
Ab,G |
Db,C |
Gb,Fb |
Cb,Bb |
2_1_5_2_m2 |
m2 |
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R,b2 |
{0,1} |
2 |
M7 |
C,Db |
G,Ab |
D,Eb |
A,Bb |
E,F |
B,C |
F#,G |
C#,D |
F,Gb |
Bb,Cb |
Eb,Fb |
Ab,Bbb |
Db,Ebb |
Gb,Abb |
Cb,Dbb |
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2_1_6_1_D5_A4_Tritone |
Tritone,D5,A4 |
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R,b5 or R,#4 |
{0,6} |
1 |
Tritone |
C,Gb |
G,Db |
D,Ab |
A,Eb |
E,Bb |
B,F |
F#,C |
C#,G |
F,Cb |
Bb,Fb |
Eb,Bbb |
Ab,Ebb |
Db,Abb |
Gb,Dbb |
Cb,Gbb |
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Modal groupings after the
first few traditional groups are an organizational structure created by
Richard Repp extrapolated from avaiable data sources. |
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© Richard Repp 2019 All
Rights Reserved |
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